Category - Creative Projects

6 Concepts School Didn’t Teach You

o-PITCHERS-facebook

There comes a time in our lives when we sit back and question everything we learned in school. Mostly when our CA talks about zillion tax-saving options or when you remember the terrifying problem scribbled on the board that asked you to find the value of “x”.

Did school teach us enough to handle different unexpected problems life throws at us?
Let’s look at some concepts we think our syllabus should have totally included.

How to be emotionally intelligent:

Ask someone the capital of important states, they’ll name them all. But ask someone their thoughts on how to handle stress, anxiety, inferiority complex, they’ll probably just respond with a thoughtful “hmmm” or “I don’t know, Google?”
In today’s competitive generation, we’re exposed to a plethora of problems that we don’t know how to deal with.
Imagine a lecture that talks about real problems, how to deal with heart break, how to not let failure discourage us, how to keep ourselves motivated and positive, how communication is the foundation of all healthy relationships.
We think it would have been super helpful.

How to be a social change maker:

Along with sound career advice, we feel schools could stress on the importance of investing a decent amount of time and energy on giving back to the society as well and how it makes the world a much better place.
If there’s a cause that’s close to your heart, there are ways you can help. But who’s got the time or money, you say?
What if we tell you there’s a way you can do it without going to the field or shelling out money? You could crowd fund! Here are 3 magic steps: Pick a cause, choose an NGO that supports the cause and raise funds using Ketto.

Here’s Nisha’s story who raised more than a lakh for Vatsalya Foundation towards provision of clothes and shoes to kids. Give it a read.

How to be financially smart: 

Banks are filled with confused, direction less souls just trying to figure out which queue to stand in. When you hit your early 20s and decide to do something instead of just splurging your hard earned money, bam! You’re hit with jargons like Systematic Investment Planning, Mutual Funds, and Life Insurance that can be overwhelming.
Don’t you think life would have been a tad bit easier had our school talked us through the basics of banking, finances and filing taxes so we were better prepared for the financial horror approaching us on March 31.

How to manage an emergency:

Every mall, corporate office and even some rickshaws have a fire extinguisher installed, but how many of us know how to use it? How many of us know how to give basic CPR in case someone collapses because of an unexpected heart attack? Or what number to dial if some pervert starts stalking you? Panic can wreck a situation and make it worse.
Having presence of mind and thinking on your feet in case of an emergency is something no one taught us in school. How we wish we were better equipped for such mishaps, both mentally and emotionally.

How to become an entrepreneur:

We’re rightly called the startup generation. We get inspired by stories of entrepreneurs, starting from the almighty Steve Jobs to the homegrown Ritesh Agarwal of OYO rooms. We obsess over shows like TVF Pitchers, that focuses on the struggle and passion of 4 budding entrepreneurs. This one’s our personal favourite because Ketto is a startup and we even help startups grow! Find out more here.
We were trained to get a good job so we can “settle”.
If we were encouraged to become entrepreneurs in school, we would have probably had the largest number of entrepreneurs. Don’t you think?

How to nurture creativity in ourselves:

Keeping your creative side healthy and active can practically affect every area of your life. Little things you do can get you the creative high you’d love thus giving the world more thoughtful and innovative ideas and leaders. To name a few ways – maintaining a small book with crazy ideas you casually mentioned to your friends, making sure you’re learning something new – language, instrument, dance form, anything; exercising your imagination with wacky thoughts, going on treks and connecting with nature and reading everyday like it’s your last! As someone rightly said, “The creative adult is a child who survived.”

Source: beautymotivation.net

Would we still have cooked up excuses to bunk school, had things been different? Oh c’mon, we’ve all done it!

We don’t know about the rest, but if you wish to understand crowdfunding better, we’re happy to help!
Read through some of our campaign stories right now.
 

Influence is everything! The importance of social media influencers in a crowdfunding campaign.

images3

Social media influencers are trusted voices within their fields, be it tech, music or film. They drive conversation and action on social media and generally have a huge following of people. They can definitely be of huge help to your fundraiser as, through them, your cause will reach a lot more people within similar fields and will come across as credible and promising.

How do I know which influencers I should reach out to?
There are many ways of determining which influencer you might want to reach out to. However, creative folks should first ensure that their project is aligned with their style and genres of creative work. Here are some ways one can reach out to influencers in their industries:

Through individual social networks: Going on social networks like Facebook, Instagram, Twitter or LinkedIn will allow you to see the number of followers someone has, as well as their level of engagement on social media.
Check their Klout score: Klout is a website and mobile app that uses social media to rank its users. Some metrics to consider for your influencers are number of followers, Klout score and search engine ranking.
Search Engines: For example, if you are looking for social media influencers in the travel industry, you would go to Google, type in ‘travel blogs’ and take the top-ranking blogs that show up on the first page. Then, you would comb through the blogs and crosscheck the users on Klout and their social media profiles and pages. These factors would help you determine whether you would want to engages with these influencers or not.

How can I reach out to them?
Simple, tweet to them, tag them in you post or cause, send them an email (you might procure their email addresses on their blog). The ways of reaching out are vast, and if your project looks promising, they will respond.

How will they help?
They will boost the buzz around your project, hopefully donate generously to your cause, and give you a lot more exposure amongst people doing, and consequently supporting, similar things.

Filmmakers On Crowdfunding #3: Pawan Kumar on Lucia

Source: Campus Diaries

[Want more inside stories on independent filmmakers and their trysts with crowdfunding? Check out Part I exploring Proposition for a Revolution’s journey & Part II, which follows Anamitra Roy’s experience crowdfunding for his One Rupee Film Project.]

After digging deeper into the history of crowdfunding in film with Shyam Benegal, and exploring director Navneet Prakash’s journey working on his racing documentary ‘Sons of Speed’, we decided to cut to the chase. As we continue exploring the relationship between crowdfunding and films, we go straight to the sources — collecting opinions from filmmakers who have crowdfunded for their films and had their audiovisual dreams see the light of day because of it.

In Part III of this series, we look at the journey of the Kannada thriller film Lucia, by Pawan Kumar, to distil the essence of what it is about independent filmmaking and crowdfunding that make it such a natural fit.

Lucia is a bit of a crowdfunding institution in Kannada cinema, having been the first film to be produced by the audience. Straddling the line between fantasy and reality, the story follows a man suffering from insomnia who is desperate for some sleep. He’s tricked into taking a drug, Lucia, that induce dreams in which all his desires come true. While we weren’t able to contact filmmaker Pawan Kumar for an interview, his blog gives us much insight into the process. 

Funnily enough, it all started with a lot of frustration on Pawan’s part, about being unable to fund his film. After months of chasing producers and sponsors, the director of 2011 film ‘Lifeu Ishtene‘ was at the end of his wits and uploaded an outraged blogpost titled ‘Making Enemies’, that interestingly describes his ‘gut feeling’ about how Lucia could become ‘a cult film for the Kannada industry’. It also expressed his grievances with the difficulty of funding the film, and the audience’s obsession with watching films starring celebrities and ‘big names’.

The response to this blogpost was overwhelming, and this was when the concept of crowdfunding first entered the picture. “Around 10 days after I put up the post, a lady from the UK transferred 200,000 rupees (around $3,200) to my account. Soon, I had around 800,000 to 900,000 rupees in my account. That is when I realized I was on to something,” the filmmaker told Reuters.

“They never looked at me as a guy from the industry who might be trying to loot them in the name of entertainment. They looked at me as a guy next door, who was aspiring to do something new,” Pawan explains in his blogpost“And that is why they supported me unconditionally. So, when I told these people, that I will make an honest attempt to make a feature film in Kannada and to put this film on a global platform, they just supported the vision of the project: to take Kannada cinema to a global audience.”

Filmmaker Pawan Kumar, who wrote and directed Lucia, the first crowdfunded Kannada film. Source: bangalore.citizenmatters.in

Filmmaker Pawan Kumar, who wrote and directed Lucia, the first crowdfunded Kannada film. Source: bangalore.citizenmatters.in

Lucia’s goal was to raise INR 6 million in 100 days, which they ended up meeting in just 27 days. As the film gained popularity, he realised that there were enough people who wanted to watch it on the big screen, which — again — was an expensive process. At this point, Pawan decided to give the audience a chance to become an online distributor by pre-ordering the film — they just have to share the film with someone, from which they would get a commission. The digital distribution experiment was a roaring success, and the film earned INR 10.6 million in ticket sales in the first week alone.

“The film is a genuinely good indie, which doesn’t always happen. It’s an out-of-the-box film that can continue on in screens outside Karnataka,” said Shiladitya Bora, who heads PVR Director’s Rare, the indie arm of the multiplex chain.

Pawan has spoken at length about how the whole team made a conscious effort to never waste money on set, and maintained that his first priority was to give back to his backers, who had invested an admirable amount of trust in him. “The fact that we can today make such stories in Kannada is a success,” he says, dismissing the commercial profits the film ended up making. “Finally, it made many people take pride in saying that the Kannada audience made Lucia, and I am so happy that it will be remembered that way..Forever, Lucia will be known as the first Kannada film produced by the audience, and that’s a title the community has earned for itself. 

“Lets stop treating ourselves as creators and the audience as consumers. A filmmaker and the audience are participating together in the success or the failure of a film. As soon as we give our audience the same importance, there will be magic.. I hope, that in the future there will be many more such examples, where the community gets the due credit it deserves.”

The film went on to premiere at the London Indian Film Festival 2013, where it won ‘Audience Choice Award’ and it has also been remade in Tamil. Pawan Kumar is currently working on his second film C10H14N2, which he is crowdfunding as well.

Filmmakers On Crowdfunding #2: The One Rupee Film Project

onerupee-source-madaboutmoviez

[Want more inside stories on independent filmmakers and their trysts with crowdfunding? Check out Part I exploring Proposition for a Revolution’s journey, and stay tuned for Part III!]

After digging deeper into the history of crowdfunding in film with Shyam Benegal, and exploring director Navneet Prakash’s journey working on his racing documentary ‘Sons of Speed’, we decided to cut to the chase. As we continue exploring the relationship between crowdfunding and films, we go, this time, straight to the sources — collecting opinions from filmmakers who have crowdfunded for their films and thus, had their audiovisual dreams see the light of day because of it.

In Part II of this series, we look at the journey of The One Rupee Project, and speak to filmmaker Anamitra Roy to distil the essence of what it is about independent filmmaking and crowdfunding that make them such a natural fit. Roy’s film tackles something a little more abstract that what the average Indian viewer is used to — it’s a DIY docu-fiction that’s based on the indie film scene in India.

Source: Facebook

Source: Facebook

Describing it as a ‘a self-reflexive mockery of the whole journey, our struggle and the place of indie films in the map of motion picture entertainment in the country’, Anamitra explains that the film’s post-structural composition uses several layers of meanings to tell one story, in a non-linear manner.

Initially, Anamitra explains, the aim was to come up with something that’d make their voices reach a larger audience. “People were interested and talking about indie films as far as I remember, but no one was looking at the margins,” he says.

“Crowdfunding was always there if you look at things a little differently,” he says, when asked about how he decided to turn to the means for gathering funds. “When we were in college we used to raise funds for almost everything; from literary bulletins to hardcore political poster campaigns. Making a crowdfunded film was on our agenda since 2009.”

Hosted on Wishberry and Funduzz, their campaign started accepting contributions in February, 2012, with a blog launched in tandem. “We also had handouts being circulated with the details of the campaign for the contributors,” he explains. They managed to raise 215k offline and 85k online, finally, out of which at least 70k came from people they knew.

“The response was huge,” he recalls. “People gave us money to make something most of them would either find boring or too complicated to be understood. We tried to make an engaging film, not an entertaining one, and we did it.”

“We couldn’t manage gap funding for colour grading, ADR and folly, and sending it out to film festivals, but we did make the film. And that’s enough for us to consider it a success. Only a few people have watched it till date, and it was never released even though many articles online claim otherwise.”

The biggest stumbling block that crowdfunding is facing, in his opinion, is the ‘hypocrisy of the new Indian middle class’. Anamitra shares. “By middle class, I refer to people with a disposable salary. Everyone is a revolutionary on Facebook and Twitter, but when it comes to taking a step (this does not refer to signing a petition on change.org) or building up a community dedicated to a cause, what we are left with are mostly those pseudo-activists who are only out to prove a virtual point.”

As for 3 tips he’d give someone looking to start a crowdfunding campaign, Roy says, “Don’t get lost in the myth of the starving artist or else you’ll end up breaking the bank for real. Don’t believe in the hysteria named people’s art. That’s complete BS and art is a very personal thing. Thirdly, it’s all about the momentum. Be desperate enough to not lose it because this kind of a campaign might take a toll on your life.”

Anamitra isn’t sure he’d crowdfund again, but he knows that if he does, he’ll be outsourcing the whole process to someone else so he can concentrate on other aspects of filmmaking.

Filmmakers On Crowdfunding #1: Proposition for A Revolution

pfr

[Want more inside stories on independent filmmakers and their trysts with crowdfunding? Stay tuned for Parts II (exploring Anamitra Roy’s ‘The One Rupee Film Project‘) & III.]

After digging deeper into the history of crowdfunding in film with Shyam Benegal, and exploring director Navneet Prakash’s journey working on his racing documentary ‘Sons of Speed’, we decided to cut to the chase. As we continue exploring the relationship between crowdfunding and films, we go, this time, straight to the sources — collecting opinions from filmmakers who have crowdfunded for their films and thus, had their audiovisual dreams see the light of day because of it.

In Part I of this series, we look at the journey of the team behind upcoming documentary Proposition for a Revolution by Khushboo Ranka and Vinay Shukla, to distil the essence of what it is about independent filmmaking and crowdfunding that make them such a natural fit.

Proposition for A Revolution chronicles the journey of the Aam Aadmi Party from its genesis, right up till its first Delhi Assembly elections.

“The project started with the two of us going to Delhi in late 2012, to find out what exactly was happening on ground with the AAP,” Khushboo tells us. “The news reports that were coming were largely dissatisfactory, so we decided to make a trip. Once in Delhi, we realised something very unique was unfolding, and we began to document everything on camera, simply because there was nobody else documenting it.

“Slowly, the AAP phenomenon became bigger and the story began to play itself out. We had been filming all along so the project really grew organically from one stage to another.”

Khushboo explains that while the initial funding on the project came out of their own pockets and from Anand Gandhi, their first and strongest backer, many that they showed their material to, loved it — but didn’t necessarily want to put money on it. “We were looking for funding continuously, but most private investors in India found the idea of a political documentary rather dangerous and unsavoury,” she explains. Some very prestigious international documentary grants kept the project afloat for a while, until finally, they turned to crowdfunding as a last resort.

10364119_1478158902421712_3176875343945080305_n-(1)

Creating their own platform, they set up their own website, borrowed a friend’s payment gateway and got the ball rolling. With a dedicated crowdfunding campaign team in place, headed by ‘whizkid’ Zain Memon, they set up all the technical, design and organisational workflows for the campaign, which helped them stay on top of things as they went along.

Their campaign ended up raising over 180% of its intended target, to their genuine surprise. Khushboo highlights an important point, “More than money, there have been so many people who have come forward and offered us their resources, and a chance to collaborate. It’s good to know when your work resonates with people.”

Co-creators of Prop4Rev, Khushboo Ranka and Vinay Shukla. Source: Platform Magazine

Co-creators of Prop4Rev, Khushboo Ranka and Vinay Shukla. Source: Platform Magazine

When asked for three tips they’d give someone looking to start a crowdfunding campaign, Vinay says, “Firstly, get a dedicated team for your campaign. You will probably have to pay them but you’ll need a dedicated team. Secondly, be prepared to adapt. It may just turn out that your campaign gets a lukewarm response and you have to rethink your strategy. And lastly, get an accountant/money person on board when you are planning your campaign. Our accountant helped us understand the financial liabilities attached with our campaign and it’s deliverables which in turn helped us plan better. I know this sounds boring but just do it.”

Khushboo’s take addresses different aspects, “Firstly, identify captive groups and online communities which are likely to identify/empathize with your cause. Secondly, your pitch/trailer is the most important part of your campaign. Aim for clarity and a compelling narrative. Thirdly, engage with your backers. You’ll be surprised with what can come out of such interactions.”

When asked if they’d turn to crowdfunding again in the future, their answer’s a no-brainer, “Definitely.”

Monthly Round-Up: Trending Campaigns On Ketto In October

CAP_330341_31_2550937a

October’s ushered in the last quarter of the year and the season of back-to-back festivals. The Ketto family took some time out of the Diwali celebrations to note a couple of campaigns doing exceptionally well the past month — something that deserved its own celebration, if you ask us. Here are the issues that are receiving the attention from backers that they deserve.

Read on for the trending campaigns in October that are a shot in the arm for crowdfunding:

I. Help Khaliza Get a Better Life

21-year-old Khaliza Khatoon (or Gaja Laxmi) was born without eyes and a face. She suffers from neurofibromatosis, which makes her prone to tumours and the excess skin has continued growing as she grew up, reducing her mouth to a slit on the left side of her face. Khaliza can generally be found begging in Kolkata’s GPO area, and as her father works as a part-time fruit vendor and her brothers too bring in a meagre monthly salary, the family isn’t able to foot the medical expenses required for her surgery.

khaliza-roundup

Soul Angels Group’s initiative on Ketto aims at raising funds for her surgery, so she may receive the medical consultations and rehabilitation she needs so that she can go on to live the life of dignity that she deserves. You too can be a part of her journey — here‘s where you can contribute to her campaign.

II.) Help 3 year old Srivardhan survive dengue.

This campaign successfully raised Rs. 4,42,827 and more importantly — was successful in saving little Srivardhan’s life. Things looked bleak for his family when his father Srinivasalu, who works in a hardware store in Nellore, completely exhausted his resources for the medical expenses of his only child. Srivardhan had developed a severe case of dengue shock; his organs started failing and he was also haemorrhaging severely.

srivardhan

His fight for survival is truly inspiring, for at one point, even after being administered advanced life support, close to 50 units of blood, many sessions of dialysis, and artificial nutrition via a special line, Srivardhan was comatose, and his bone marrow failed. Thanks to the staggering support on his crowdfunding campaign, his father didn’t have to shoulder all of the escalating medical expenses anymore, and Srivardhan is, today, fully recovered and has returned home.

III.) Kadak Badshaahi

Darpana Academy of Performing Arts’ musical production ‘Kadak Badshaahi’ was a roaring success, narrating the stories of nine different historical and fictional characters from nine different times, whose lives intersect in the city of Ahmedabad. The idea is now to create a musical feature film based on the production, with characters including a badshaah from 600 years past who arrives to create his new capital, an NRI from 2015 to begin her new life as a student, Mr. Iyengar from 1929 to pursue a new fortune in the textile mill industry. Together, they explore the 600-year history and search for the soul of a city that blends the best of the ancient and the modern.

The proceeds from the campaign will go towards funding 4 out of the 9 songs for the soundtrack of the film, each of which requires INR 2 lakh  to create — from the composition of the music, time in the recording studio, and days on set, to bring each song’s magic to the screen. Here’s where you can do your bit and support the creative venture.

IV.) Thanks Bhai

This is a festive campaign in its own right, and an initiative to give back to those who often work thanklessly. The Kochi metro is one of the biggest infrastructure projects taken up in recent times that has the potential to change the face of Kerala. The construction workers who are working hard to make it possible, though, are hardly ever recognised and remain more or less faceless entities. This project aims to change that, and to celebrate Diwali with these individuals.

The idea was to gift each of them a sweet-box of Rs 100 each, and to appreciate their effort and contribution to society. Many of these workers aren’t from Kerala and haven’t had a chance to go back home despite the festival; this is an initiative that aims to give back to them. More details on the initiative’s website here.

V.) Join Nana Patekar to Help Farmers 

We recently wrote about Nana Patekar’s initiative to help farmers and in some cases, their bereaved families, in the Marathwada region where farmer suicides are staggeringly high, and we are happy to report that his acts of generosity and social awareness has sparked off another. This campaign aims to help the drought-struck farmers financially, so they don’t surrender to the dire circumstances.

Source: thelogicalindian.com

Source: thelogicalindian.com

The news of farmer suicides in India has been splashed across headlines for years, a compounding plea for help for those who make up the backbone of an agrarian country like ours. Over 11% of suicides in India constitute of those by farmers who depend on an erratic monsoon for their livelihoods, are burdened with debt and who struggle continually to feed their families. Please contribute to the campaign here to help the cause.

Director Navneet Prakash on ‘Sons of Speed’, A Racing Documentary With Freddie Hunt & Mathias Lauda

sonsofspeed

[‘Sons of Speed’ promises to be a sports documentary that’ll have you hooked, and the team’s also giving away some pretty sweet rewards for contributing to the campaign. Click here to chip in and be a part of this film’s journey.]

After digging a little deeper into veteran filmmaker Shyam Benegal’s pioneering tryst with crowdfunding with his 1976 film ‘Manthan’, we turn to a more contemporary film in the making that is looking for some support. ‘Sons of Speed’ is a documentary on a less-discussed sport that’s tearing up the tarmac in India — auto racing.

We caught up with Navneet Prakash, writer and director of the film, to tell us a little bit about what working on the film has been like, and why the team turned to crowdfunding for the passion project.

Q. Tell us a little bit about you and your team’s background in filmmaking, and your passion for racing. How did the idea for Sons of Speed came along?

I’ve been working in the field of non-fiction content for about 6 years now, and it’s a medium that I’m very comfortable with. I’ve also followed motorsports for the longest time; I attend rally racing events, and I’m very keen on the sport.

Racing is India is a pretty small circle; I have a producer on the team, Divya Menon, with whom I have a common friend – Jose Pottamkulam Ootta. A motorsports enthusiast himself, Jose has actually been running a team in Kerala calling M&N Racing and participates in rallies.

1554497_855397434524726_5638898053009685295_n

All of us would hang out and discuss films and sports, when Jose mentioned that he was getting Freddie Hunt and Mathias Lauda together to race for the championship last year, in 2014. That’s when we decided on creating a simple television film being made for local and national sports channels, about the legendary rivalry between them.

We couldn’t find sponsors for the project, but once we started shooting – I realised that this was not a PR event or a corporate AV, it was a really interesting story that needed to be told. That’s when we decided that we’d make this a proper standalone film.

Q. Tell us a little bit about what each of you were in charge of, and how you came up with the name.

All the creatives have been handled by me, while Divya has worked on the ads, production and logistics aspects. Jose is our go-to guy in case we need to clear up technicalities about the sport. I was thinking of writing a treatment for the film, and ‘Sons of Speed’ just had a great ring to it, and we really believed in it.

The film is about racing, but also about them being sons of legends in the international racing circle.

Q. What is the approach you’ve taken for the documentary, and how do you feel it sets it apart?

Initially, we were very focused on numbers, on who was winning and laptimes and such. When we met Freddie Hunt and Mathias Lauda and started talking, though, the two turned out to be very nice, regular guys who had no airs about them. They were easy to work with and had a great story to tell.

Sons of Speed video from g33k films on Vimeo.

Their fathers being world champions in their own right, Freddie and Mathias were born with a lot of expectations from them, and it was interesting to explore the father-son relationship in this unique way. This also gave the racing documentary a more human angle.

Q. How easy was it to incorporate such personal stories into the film’s narrative, how did you go about that?

We had a broad outline in mind that we were looking to shoot, and as interesting as a racing documentary is — fathers are much more of an icebreaker. (laughs)

There’s a pretty nice line in the documentary that sums it up, ‘No matter where you are on the racetrack, these two will continue to get compared to each other because of the families they come from. This kind of fame is a double-edged sword.’ To be living with so much pressure on you all the time is not easy, and the fact that they’re handling it so well is interesting to observe and document.

Q. How did you chance upon crowdfunding?

Finance was a big challenge — a documentary is a scary word, particularly in India. People expect something slow and boring; there are various kinds of documentaries and you can have a non-fiction role on a very interesting topic, yet it remains a fairly unpopular idea. I was very glad that Kunal found the idea as interesting as I did, and that he agreed to host our campaign on Ketto.

3a4585343e6185121a52872a48b219e0e37c4320

The easiest thing to do in this process is actually making the film — the backend is very difficult to navigate and because of the funding issues, it’s often tough to mount the project.

I did a crowdfunded project in 2013 called ‘Shweta’s Kranti’, about a girl from Bombay’s red light area, that was also made for Ketto. It really worked, and I think crowdfunding is a great idea — it should be more popular here as it’s so accessible. It gives good films a chance to see the light of day, and to actually reflect the people’s (or the backers’) interests and beliefs.

Q. What have been your favourite moments working on the film so far?

We were lucky to travel to some of the best racetracks in the world, and got a chance to shoot with Nicki Lauda — Mathias’ father and the original racing world champion. He’s a legendary man, who also happens to be extremely down-to-earth. That was a great day of shoot, but I think we had fun every day that we were shooting.

Thanks to crowdfunding, with the right vision and the right people, a dream documentary project like this is actually possible today. Besides funding our campaign, you can help spread the word by sharing our campaign page on Facebook and other social media.

[‘Sons of Speed’ promises to be a sports documentary that’ll have you hooked, and the team’s also giving away some pretty sweet rewards for contributing to the campaign. Click here to chip in and be a part of this film’s journey.]

TED Talk ‘The Art of Asking’ on Crowdfunding Creative Projects

source - archive.mjoy.ua

 “No one is useless in this world who lightens the burdens of another.”

― Charles Dickens

Here at Ketto, we’re firm believers in pushing the most original creative projects, no matter how crazy it might sound at first. Our logic is — every great idea had its humble origins somewhere, right? To get started is the key to getting somewhere, and only then does one grow into their potential. More often than not, the creative entrepreneur’s going to need a little help to get by, at least at first. This is where crowdfunding can step in to save the day.

In our previous story ‘Crowdfunding: Musically Yours‘, we explored how artists like Vasuda Sharma and progressive metal band Skyharbour successfully crowdfunded their projects by shedding the red tape and sticking to real talk.

Today, though, we look at a different aspect of crowdfunding — the first, and the most important, the part where you actually reach out and asking for help. You have to be a thinker and a doer to have your dream project materialise, and most important of all, you need to communicate to the audience what your idea is, so they may join you in your journey.

In this inspiring TED Talk (the holy grail of entrepreneurial wisdom), Amanda Palmer speaks about ‘The Art of Asking’:

The reach of the internet  is like a three-tiered blessing. First off, it’s democratic enough to give space to any musician or artist who has the guts to put themselves out there and test the waters to see how their dream project will float. Secondly, it’s your friends, family and fans who are going to be contributing and circulating your project; they’re your first audience, so to speak.

Thirdly, the internet has made all sorts of collaborations possible. There’s been a total shift in the artist-fan relationship. Just imagine — as a fan, you can now contribute, on a pay-what-you-want basis, to exactly the kind of music you’d like in your headphones! Chances are, there are going to be several other perks involved as well.

Autographed album, anyone? If you believed in the idea from Day 1, it’s probably yours for the taking.

People aren’t mindreaders, and no one’s going to know the potential of your idea until you make the effort to open up to them and ask. For their opinions, for their help. (And yes, also for that autograph.) For fans and artists alike, the mantra should be ‘Ask, and you shall receive’.

Amanda Palmer said it best when she said, “Through the very act of asking people, I connected with them. And when you connect with them, people want to help you.”

[Featured image credit: archive.mjuoy.ua]